art jewellery

Schmuck 2015

So another amazing year at Schmuck. I didn’t get to see nearly as many shows as I would have liked, but with there being 80 exhibitions as well as the main show at the Messestadt, it’s no easy task! I didn’t take photographs of everything but here are some of my highlights from what I saw. I have put names and descriptions on the photographs so if you like what you see, make sure you check out the jewellery artists!

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Microphilia

These are images of some of the beautiful work by Carina Chitsaz Shoshtary and Annamaria Leiste in their exhibition ‘Microphilia’, a reference to the micro world they both work in, spending hours working on tiny elements which make up their jewellery. Annamaria’s work is made from fish scales amongst other materials, strung upon delicate gold and blackened silver chain. I find her the pieces  have a fragile, ethereal beauty. Carina’s work is made from pieces of wood that she finds close to her home, she covers these in tiny pieces of graffiti, a signiature material she has been working with for some time. It was a real pleasure for me to get a chance to work so closely with Carina’s jewellery, not only are they beautiful shapes with exciting colours, they are also incredibly tactile. I had admired and coveted Carina’s jewellery for some time and seeing them up close made me love them even more.

Work Placement: Setting Up the Exhibition

I had a brilliant time helping Carina Chitsaz Shoshtary and Annamaria Leiste set up their exhibition ‘Microphilia’, which was part of Munich Jewellery Week. It was a fantastic opportunity to learn from these two talented ladies. The space they had for the exhibition was fairly small but their idea to fill it with white cardboard boxes made such good use of what space they had, creating an interesting backdrop for the work on display. The jewellery was hung and placed in nooks and crevices all over the installation, making it like a treasure hunt of beautiful objects. The placement of the work was much harder then I had anticipated, it’s really important for everything to be harmonious with one another, it was great practice for me to have some input into the display in this exhibition and also to learn from their ideas. They also had the brilliant idea to make display cabinets out of the card board boxes, which they were selling work from (all of which I wanted to buy!) Such a simple but clever idea, it really worked well with the rest of the exhibition, providing some warm light against the cold of the white. I had great fun helping with all the construction, and watching the whole thing come together.

GlAmour

I went to the opening of an exhibition of fourteen different artists at an amazing venue called Villa Stück a couple of nights ago. The exhibition was called GlAmour: Love of Jewellery and it included the work of two jewellery designers who I really love, Peter Chang and Karl Fritsch. Peter Chang makes surreal, fluorescent plastic jewellery which look like some kind of creature from a sci-fi film. Karl Fritsch makes unconventionally beautiful rings using gold, aluminium, diamonds and cubic zirconia amongst other materials , which challenge the idea of precious jewellery.

Attai Chen

I had the opportunity to visit the studio of Attai Chen and Barbara Schrobenhauser the other day, they also share with two other artists who I did not get to meet unfortunately. They were both really busy getting everything organised to show next week at Schmuck so it was great to have a look around and get an insight into how they  work. All of the jewellery artists here use such interesting and creative materials, it has really inspired me to be less restrictive when I’m working.

 

Work Experience; Munich

I am currently doing a work placement with the super lovely and talented jewellery artist Carina Chitsaz-Shoshtary. Carina has an exhibition starting next week as part of Schmuck week in Munich and I am helping out with the setting up of her show. The experience has been really great so far, I have had the opportunity to look around The Academy of Fine Arts whilst Carina was having work photographed, which was amazing. I also went to her house in the Bavarian countryside, where I got the chance to see her work up close and talk about her processes and practice. As a relative newcomer to art jewellery it has been incredible for me to gain an insight into how Carina works. Her time at the academy has given her a free, intuitive way of working which I feel is very inspiring.